翻訳と辞書
Words near each other
・ Matsudaira Kiyo
・ Mats Strandberg (footballer)
・ Mats Sundin
・ Mats Svegfors
・ Mats Svensson
・ Mats Thelin
・ Mats Traat
・ Mats Trygg
・ MATS University
・ Mats Valk
・ Mats van Huijgevoort
・ Mats Wahl
・ Mats Wallberg
・ Mats Waltin
・ Mats Wejsfelt
Mats Wendt
・ Mats Werner
・ Mats Wester
・ Mats Wilander
・ Mats Wilander career statistics
・ Mats Willner
・ Mats Zuccarello
・ Mats Åhlberg
・ Mats Öberg
・ MATS/1.4 mine
・ MATS/2 mine
・ MATS/2.6 mine
・ Mats/Morgan Band
・ Matsaile Airport
・ Matsakabanja


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Mats Wendt : ウィキペディア英語版
Mats Wendt
Mats Wendt (born in 1965) is a Swedish classical composer and artist. His best known work internationally is ''Eddan - the invincible sword of the elf-smith'', a 16-hour-long "cybersymphonic" work on Norse mythology according to Viktor Rydberg. Five hours from ''Eddan'' was performed in Bayreuth 2003 during the annual Wagner festspiele, in Wahnfried, Wagner's former home, now the Richard Wagner museum.
Wendt is also the originator of "cybersymphony", a concept for transferring the symphony orchestra to computers and by this create a super instrument that is independent of development of hard and software.
==Cybersymphony==
The concept of Cybersymphony was created by Wendt in 1993 to build a foundation for symphonic music created by computers and synthesizers.
The "instrument" used to perform a cybersymphony consists of two things: the cybersymphonic law that defines what the instrument is, and any synthesizer that meets the requirements. This means that, in the absence of a physical instrument (and the small differences caused by the analogue), a consistently defined sound is available.
The Cybersymphonic Law summarised:
* All sounds must have a real counterpart (violin, oboe and so on, with the correct register span).
* All instruments must be played like the real counterpart (i.e.: technical limitations must be observed).
* All instruments or instrument sections must be located on separate midi channels
* No sampling of mixed sounds may occur.
* The Orchestral dynamic is created by the parts individual dynamics.
* No dynamic event may occur in the section sounds or instruments sounds
* Dynamic is formed by continuous volume and the keystroke
* The orchestral timbre is created through the sum of the sounding separate midi channels

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Mats Wendt」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.